It was great to be featured with a 12-page spread in the July issue of FUJILOVE Magazine. I want to thank the founder, Tomash, for his interest in my work and the Managing Editor, Stephanie, for the interview.
The Vanishing Cuba journey has been an exciting eight years, and there’s still so much more to look forward to. With the booking coming out in September / October, the excitement has only been growing. Just this week, I completed my sixth interview featuring the book and my Cuba photography. I’m so fortunate that people enjoy my vision and love for the Cuban people.
See below for the full article and interview. Muchas Gracias!
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LUXURY SPLASH OF ART FEATURES VANISHING CUBA
Luxury Splash of Art Magazine is the brainchild of artists Kamila Krzyzaniak and Agnieszka Kowalczewska, both born in Poland and residing in London. Kamila is an architect and contemporary artist specializing in abstracts, and Agnieszka is known for her paintings on canvas and textiles.
Kamila describes the magazine as “a homage to those who set trends – and entertain us with their imagination and talent.” The publication features sculptors, photographers, chefs, jewelers, and fashion designers. It’s a real honor to be featured among such talented artists. It’s my hope that my photographs and the storytelling in my Vanishing Cuba book
GET LOST MAGAZINE FEATURES VANISHING CUBA
It was so lovely to discover that I was featured in the December issue of Get Lost Magazine, a Melbourne Australia-based independent adventure travel magazine. My Vanishing Cuba photography is highlighted in the EXPOSURE section, where they select just two photographers a month.
Founded in 2004 by Publisher Justin Jamieson, the magazine seeks out unique travel experiences around the globe for travelers wishing to explore and take unforgettable holidays that are not found in brochures.
MIAMI’S PREMIER BOOKSTORE REVIEWS VANISHING CUBA
As many of you know, when I set out to publish my Vanishing Cuba book, my objective was to create something exceptional and not just another book.
I would soon find out if my seven years of photography and two years of writing, design, and production were about to deliver on that promise.
With the arrival of the first few samples of my book, I boarded a flight to Miami for Art Basel, where the Reserve Edition of my book would be showcased for the very first time. But my real interest would be a very special meeting we had set up months earlier.
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