PRINT MAGAZINE (est. 1940) says, “In his soon-to-be-released photography book Vanishing Cuba,you’ll find images that focus on the close-up of the decay and isolation the island has faced in the past 60 years. The photographs within the pages are vivid, striking, and will most definitely make you understand the determination and perseverance of Cuban folks and their culture.”

The magazine goes on to discuss the unique printing process that I’m using to produce this stunning book.

Click here to read the full article

LUXURY SPLASH OF ART FEATURES VANISHING CUBA

LUXURY SPLASH OF ART FEATURES VANISHING CUBA

Luxury Splash of Art Magazine is the brainchild of artists Kamila Krzyzaniak and Agnieszka Kowalczewska, both born in Poland and residing in London. Kamila is an architect and contemporary artist specializing in abstracts, and Agnieszka is known for her paintings on canvas and textiles.

Kamila describes the magazine as “a homage to those who set trends – and entertain us with their imagination and talent.” The publication features sculptors, photographers, chefs, jewelers, and fashion designers. It’s a real honor to be featured among such talented artists. It’s my hope that my photographs and the storytelling in my Vanishing Cuba book

GET LOST MAGAZINE FEATURES VANISHING CUBA

GET LOST MAGAZINE FEATURES VANISHING CUBA

It was so lovely to discover that I was featured in the December issue of Get Lost Magazine, a Melbourne Australia-based independent adventure travel magazine. My Vanishing Cuba photography is highlighted in the EXPOSURE section, where they select just two photographers a month.

Founded in 2004 by Publisher Justin Jamieson, the magazine seeks out unique travel experiences around the globe for travelers wishing to explore and take unforgettable holidays that are not found in brochures.

MIAMI’S PREMIER BOOKSTORE REVIEWS VANISHING CUBA

MIAMI’S PREMIER BOOKSTORE REVIEWS VANISHING CUBA

As many of you know, when I set out to publish my Vanishing Cuba book, my objective was to create something exceptional and not just another book. 

I would soon find out if my seven years of photography and two years of writing, design, and production were about to deliver on that promise. 

With the arrival of the first few samples of my book, I boarded a flight to Miami for Art Basel, where the Reserve Edition of my book would be showcased for the very first time. But my real interest would be a very special meeting we had set up months earlier. 

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